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Mark T Conard (ed )_The Philosophy of the Coen Brothers (2008)(PDF Format)

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  In 2008 No Country for Old Men won
the Academy Award for Best Picture, adding to the reputation of filmmakers Joel and Ethan Coen, who were already known
for pushing the boundaries of genre. They had already made films that redefined the gangster movie, the screwball
comedy, the fable, and the film noir, among others. No Country is just one of many Coen brothers films to center on the
struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To borrow
a phrase from Barton Fink, all Coen films explore "the life of the mind" and show that the human condition can often be
simultaneously comic and tragic, profound and absurd. In The Philosophy of the Coen Brothers, editor Mark T. Conard and
other noted scholars explore the challenging moral and philosophical terrain of the Coen repertoire. Several authors
connect the Coens' most widely known plots and characters to the shadowy, violent, and morally ambiguous world of
classic film noir and its modern counterpart, neo-noir. As these essays reveal, Coen films often share noir's essential
philosophical assumptions: power corrupts, evil is real, and human control of fate is an illusion. In Fargo, not even
Minnesota's blankets of snow can hide Jerry Lundegaard's crimes or brighten his long, dark night of the soul. Coen films
that stylistically depart from film noir still bear the influence of the genre's prevailing philosophical systems. The
tale of love, marriage, betrayal, and divorce in Intolerable Cruelty transcends the plight of the characters to
illuminate competing theories of justice. Even in lighter fare, such as Raising Arizona and The Big Lebowski, the comedy
emerges from characters' journeys to the brink of an amoral abyss. However, the Coens often knowingly and gleefully
subvert conventions and occasionally offer symbolic rebirths and other hopeful outcomes. At the end of The Big Lebowski,
the Dude abides, his laziness has become a virtue, and the human comedy is perpetuating itself with the promised arrival
of a newborn Lebowski. The Philosophy of the Coen Brothers sheds new light on these cinematic visionaries and their
films' stirring philosophical insights. From Blood Simple to No Country for Old Men, the Coens' films feature characters
who hunger for meaning in shared human experience -- they are looking for answers. A select few of their protagonists
find affirmation and redemption, but for many others, the quest for answers leads, at best, only to more questions.
						

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